Felice Nittolo -An exhibition spread in Vittorio Veneto

[…] For Nittolo, mosaics are always fertile ground for experimentation, where even the removal of classic mosaic materials, primarily tesserae (!), only serves to highlight how his fascinating mastery is something deeply internalised. […] In fact, the grids and many of the materials commonly used in mosaics – although sometimes limited to the workshop or closely linked to the field of restoration – all find a place in his works, becoming an integral part of a broad and generous artistic gesture.
The Profanazioni series belongs to this universe in which the tessera, given through its absence, emerges as an imprint among the precious vellums, where the millimetric precision with which the Ravenna mosaics are designed creates an extraordinary contrast with the thickness of the jute, the mortar and the dense brushstrokes. […] Giovanni Gardini